how does it feel




spockout:

Alice Eve at the Moscow premiere for Star Trek: Into Darkness

spockout:

Alice Eve at the Moscow premiere for Star Trek: Into Darkness

(Source: captainsulu)


wink-smile-pout:

Elie Saab Haute Couture Spring 2013

wink-smile-pout:

Elie Saab Haute Couture Spring 2013


Dolce & Gabbana frescoe inspired details, Fall/Winter 2013/2014 RTW

(Source: rooneymara)


hautekills:

Ulyana Sergeenko haute couture s/s 2013, photographed by Nick Suhkevich

hautekills:

Ulyana Sergeenko haute couture s/s 2013, photographed by Nick Suhkevich



29/50 Favorite Designs of Elie Saab

29/50 Favorite Designs of Elie Saab


(Source: annalouet)


fuckyeahfashioncouture:

Christophe Josse Haute Couture Spring-Summer 2013

fuckyeahfashioncouture:

Christophe Josse Haute Couture Spring-Summer 2013


looplookloop:

Christian Dior, Fall Winter 2013 RTW, Paris Fashion Week, Paris.


looplookloop:

Rochas, Fall Winter 2013 RTW, Paris Fashion Week, Paris.


morningmode:

ALEXANDER MCQUEEN PRE-FALL 2013

Sarah Burton spoke of  researching “the low church, puritans, nuns, and popes” for the collection. 

Brilliant!

date 16.01.13 time 15:00



Amy Adams in Oscar de la Renta, at the 85th Annual Academy Awards

Amy Adams in Oscar de la Renta, at the 85th Annual Academy Awards

(Source: notagingeryet)


Amanda Seyfried | 85th Annual Academy Awards - Arrivals [24.02.2013]


fashioninhistory:

Evening Dress
Madame Grès
1967
The collections of Madame Grès were prized for the pleated silk jersey gowns that ended each of her shows. With their himation-like draped swags, these designs are a relaxed version of the fine dense pleating that generally covers her fitted, highly structured bodices. The technical virtuosity incorporated in the draping is revealed only on close study of this example. The swags are both continuous and unbroken panels of fabric that incorporate the right fronts and backs of the gown. In her neoclassicism, Grès conformed to the antique notion of uninterrupted lengths of cloth, stitched but not cut into shape. From her earliest work, Grès introduced windows onto the body with cutouts that bared the back and midriff. She created a fissured shoulder, consistent with her own practice and resonant of the split shoulderlines of antique chitons.- The Metropolitan Museum of Art

fashioninhistory:

Evening Dress

Madame Grès

1967

The collections of Madame Grès were prized for the pleated silk jersey gowns that ended each of her shows. With their himation-like draped swags, these designs are a relaxed version of the fine dense pleating that generally covers her fitted, highly structured bodices. The technical virtuosity incorporated in the draping is revealed only on close study of this example. The swags are both continuous and unbroken panels of fabric that incorporate the right fronts and backs of the gown. In her neoclassicism, Grès conformed to the antique notion of uninterrupted lengths of cloth, stitched but not cut into shape. From her earliest work, Grès introduced windows onto the body with cutouts that bared the back and midriff. She created a fissured shoulder, consistent with her own practice and resonant of the split shoulderlines of antique chitons.- The Metropolitan Museum of Art


models-on-the-runway:

oscar de la renta pre-fall 2013

models-on-the-runway:

oscar de la renta pre-fall 2013


a-daddy-and-his-princess:

littlelostlolita:

10knotes:

nerdmodeactivated:

WANNNNNTTTT

I live only to save up and afford a closet of those. ;__;

NEED/NEED/NEED/NEED

(Source: hikari-no-senritsu)